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そして魔人復活に寄与し人類破滅の決定的な引き金を引いたのは人類自身の悪の心というのも、それまでの外敵の話と比べるとかなり毛色が違います。
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Toriyama employs aerial perspective constantly in B&W panels too. The further the objects are, the less detailed and more dotted the linework becomes. It gives the overall composition more depth and makes it easier for readers to understand what's happening in the panel.
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Another obvious instance here. The third panel is totally unnecessary, and because of its existence, the first horizontal panel row is awkwardly contracted which totally botches the impact of the explosion in the first panel. It works better without the third panel.
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@Ojeid_99 @SaiyanXQ And the biggest irony is that the artist of Boruto does not inherit this style, which I think is a clever choice, and he rather chose to be fully committed to Toriyama’s style. I honestly think Boruto’s author is a better successor of Toriyama and it’s so ironical that these two… https://t.co/u1FW3E0dJ9
@Ojeid_99 @SaiyanXQ But I also suspect he was influenced by Kishimoto’s style in Naruto. It first started from a typical shonen manga style in the beginning of the serialization, but it gradually shifted towards the storyboarding method to the point where it almost feels like it’s anime screenshots.
Golgo also assassinated real-estate tycoon “Ronald Krump” in chapter 481 published in 2001
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昔はアニメーター起用でこれだけのレベルのものを作っていたのに、なぜ肝心のDB本筋の続篇が同人に毛の生えたような漫画になってしまうのか…。
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中国でのドラゴンボール人気はかなりのもので、無法地帯だった連載当時は無許諾で翻訳した海賊版が大ヒットを記録しており、連載が終了するとそれを受け入れられない海賊版出版社が自前で現地中国人の漫画家を雇って勝手に続篇漫画を出版する例が後を断ちませんでした。AFの都市伝説より前のことです。 https://t.co/KAVUhMNw8b