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Kaiju No. 8 Ch 22 This cake is topped with SD characters by @kusanosaproo who together with @OoSa6 make up OsaPro, artists behind wonderful background/mech elements in Kaiju 8! @brandonbovia did a fantastic job redrawing the cake and the result speaks for itself. #怪獣8号
Ch 3: Tatsuomi is from Kansai region, so he speaks in Kansai-ben. Since everyone speaks pretty gruff in this series, I tried to make him sound distinct enough from Alma & Tao. Here's a thread bout Hoshina from K8 where I tackled this as well. https://t.co/TN3ITLEV6j
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ちなみに、不思議とこの遊びの台詞は押切蓮介先生の『ハイスコアガール』の第10巻にも登場、しかも前任の翻訳者の代わりに翻訳担当させていただきました１巻で「なんたる偶然！！」感がすごかったです(笑)若干似ているがもっとシーンに合わせたような訳を応用しました。SinCEREとunCLEARの違いです。
doing extra work on Destroy All Humans. They Can't Be Regenerated. gets me so stoked to see it released. I love it when a series is tailor-made for my niche weird talents.
is subtly and subliminally implied, the base quote in EN is a much more direct piece of foreshadowing (?) in this case. This might've been a case of sensei knowing the EN, using the JP TL, and leaving it to readers to realize that it's foreshadowing for the events to come.
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I'm so glad to have met @kyla_aiko through Super Smartphone because I got to see her develop as a letterer on the fly in the manga we've worked on, like Super Smartphone and Gokurakugai. An incredibly kind person, awesome, and always brightens my day.
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Flashback to Ch 7, one of two examples of using furigana in dialogue (the other being the end of Ch 2.) Undead Unluck does this so much that it's become second nature, but I feel keeping elements of it in the TL helps so much in the long run. (1/3)
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here's a real media example: ichigoki ch 18, only it's causative form. ("making flowers bloom in stories about old times.") https://t.co/yfW4B97EH9 https://t.co/7oGufMNPqh
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First, my friend and my brudda, @brandonbovia. With me, he works on Kaiju No. 8, B-Side, My Isekai Life, and the upcoming Destroy All Humans. They Can't Be Regenerated. Separately from me, he works on a ton and he's going to be working on the Beyblade X adaptation as well!
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This way Corleo's awkward katakana ハイ can now be "Yes, ma'am," which is the translation I was going to go with anyway, but now it has synergy with Minerva's line. By course correcting this one line, the entire page retains flow and deals with an unfamiliar cultural concept.